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| 510 |
投稿者:
miki fukuda <miki@m...>
Date:
2010年3月19日(金)
午後3時22分
タイトル: proposals: Contorsions Technologiques (Apr30 - May2)
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福田です。
パリのhackerspace、Les Contorsions Technologiquesか
らのプロポーザルの募集です。
全く予算のないインディペンデントな活動のようですが、おもしろそう
です。
今年の終わりにLa Gaiteというデジタル・カルチャーと音楽のた
めのセンターが
ルーブル美術館近くにオープンします。パリは今いろいろと面白い動き
があるようですね。
-------------------------------------------------------------------
La Suite Logique hackerspace invites hackers from all around the
world to
participate to the first edition of Les Contorsions Technologiques
that will
run from April 30 to May 2 at la Suite, alternative cultural space in
the
middle of Paris, France.
What are Les Contorsions Technologiques ? It's a mix of workshops,
exhibitions,
demonstrations and performance, in a setting favorable to discovery,
experimentation and exchange. It's an invitation to grab the tools
and take
the
initiative back, to shatter norms and reshape our universe. It's the
celebration of all the creative, funny or spectacular uses of
technology, and
knowledge sharing.
Help us to spread the word by diffusing this Call for Proposals!
--[ Call for Proposals ]----
Les Contorsions Technologiques revolve around three big ideas:
- exhibiting tangible technology applications, as they are easier to
feel;
- guiding people on their meeting with technology;
- inspire people into following our footsteps and play with technology.
We decided to not have lectures, and to ignore computer-only
subjects. But do
not worry, there is still a wealth of topics. If you are unsure about
this,
here is a list of possible topics:
* Electronics Basics
- all arduino things
- blinky boards
- squeaky circuits
- robotic runts
- radio transmissions
* Day to day
- TV-B-gone and friends
- RFID jewelry
- RFID killers
- makerbots and RepRap
- DIY domestic appliances
- DIY biotechs
- DIY clothing
* Art and games
- brainmachine
- demomaking
- 8-bit music
- puredata and supercollider
- object tracking
- physical peripherals
- circuit bending
* Urban hacking
- LED throwies
- laser tag
- building fronts as giants screen, one pixel per window
* Science
- Tesla coils
- quadrocopters
- autonomous drones
And, of course, everything we might have forgotten ...
Finally, we have the pleasure to offer you a quite uncommun
exhibition medium,
the front of a 7 story building. Be megalomaniac, we have the
resources for!
(more information on this very soon)
--[ Submissions ]----
Send your submissions at cfp@c... before
April 3,
23:59 GMT. Acceptance notifications will be sent around April 8 and the
schedule will be published around April 15.
Your submissions shall be a Plain Text, PDF, OpenDocument or RTF
file, and
shall contain the following informations:
- type
- summary (1000 characters max)
- lang (fr/en)
- logistics need (tables, chairs, power, light, sound)
- contact information (at least an e-mail address)
- if applicable, a link to pictures or videos
Here are the submission types we accept:
- workshop: one or two people help to realize a small project (30 to
90 min of
work, no big hardware. Soldering iron is OK, drill press is not)
- exhibition: present your realizations and do interactive
demonstrations
- demo/performance: be the star during 10 to 30 minutes. e.g.: tesla
coil,
quadrocopter flight
- concert: between 30mn and 2h
Don't forget: everything is possible, as long as you drop us some
lines to
talk
about it.
--[ Practical Informations ]----
Les Contorsions Technologiques are organised without budget by
volunteers on
their free time. Therefore, we cannot help with travels or accomodation
expenses, but we might be able to organise makeshift accomodation for
participants. Please contact us for more details.
Check out our web site for the last updates and other stuff:
http://www.contorsions-technologiques.org/
This call for proposals is available here :
http://www.contorsions-technologiques.org/cfp.html
Subscribe to the annonces mailing-list to be warned of the last updates:
http://www.contorsions-technologiques.org/cgi-bin/mailman/listinfo/
annonces
Meet us on IRC :
irc://chat.freenode.net/#lasuitelogique
Send us an e-mail:
contact@c...
---------------
forwarded by miki fukuda
|
| 511 |
投稿者:
Dance and Media Japan <office@d...>
Date:
2010年3月19日(金)
午後5時08分
タイトル: OPEN STUDIO / SHOWING / WORK IN PROGRESS___NEW CREATION by Akemi Takeya
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>>English is down below.
こんにちは。Dance and Media Japanの飯名です。
オーストリア在住のパフォーマンスアーティスト、タケヤアケミのオープンスタジオを実施します。 会場は、UN工房(中野/江古田)です。 現在進行中のプロジェクトの紹介と、作品のデモンストレーションを行いますので、是非ご参加ください。
OPEN STUDIO / SHOWING / WORK IN PROGRESS
> ENGLISH
OPEN STUDIO / SHOWING / WORK IN PROGRESS -NEW CREATION by Akemi Takeya
Lemon Synthesizer Project = L.S.project_ performance / movie / sound /instalation:
I will do the open studio / rehearsal / showing as a work in progress. You can see some of works in process, such quick-view of every single work of
variations, over-view of the project which has many variations of realization's form
→www.myspace.com/497620319
→http://lemonproject2010.blogspot.com/
It would be great to get any feedback, any questions.Now here in Japan,
especially i am concentrating to built up the performance version integrated all the essential elements of each version of realization.It is a dialogue between performer and visual work, collaborating with a visual
artist, Naoto Iina just now. The venue is a bland-new studio belonging to the dancer & choreographer, Un Yamada. Audience is limited , therefore, please contact me if you can come until Saturday.
Date:21 March(sunday)16:00 -18:00
Venue:UN Kobo 4-21-16 Ekota, Nakno-ku, Tokyo Contact:080-4285-1008 (Akemi Takeya)
Access to UN Kobo 1) 12 min by walk from " Numabukuro" station of the Seibu Shinjuku line " Numabukuro " station → Go up to the north on right side through the
shopping arcade, 5min by walk →Across the Sin-Oume street, then go up to the north, 5min by walk →Across the cross、then turn to the left at the corner of " Musashi " pharmacy front of " Nakano Ekota " hospital → after 1
min by walk on the left hand, you can see the black house = UN Kobo http://chizuz.com/map/map53075.html
2) 12 min by bus from " Nakano " station of JR / Subway
Get on the bus for " Nerima Station" front of Mitsubishi Bank in a terminal of south exit and get off at the stop of " Jofuen Mae"→ 1 min by walk on the left side of the same direction on the bus, then turn to the left at
the corner of " Musashi " Pharmacy front of " Nakano Ekota " hospital → after 1 min by walk on the left hand, you can see the black house = UN Kobo http://chizuz.com/map/map53621.html
3) 12 min by bus from " Nerima " station of Seibu Ikebukuro line / Toei Oedo line (subway) Get on the bus for " Nakano" station and get off the stop of "Jofuen Mae" →come into the street face to " Nakano Ekota " Hospital and go straight on
left side passing by " Musashi " pharmacy at the corner→after 1 min by walk on the left hand, you can see the black house = UN Kobo http://chizuz.com/map/map53621.html
Akemi Takeya Since 1991 Akemi Takeya has been living and working in Vienna. She has collaborated with artists in the fields of dance, theater, film/video, fotography and music. She has created numerous dance, video and performance
pieces in collaboration with such artists as Paul V. Weihs, Sam Auinger & Rupert Huber, Sam Auinger, Roberto Paci Dal, Dorfmeister, G.X. Jupitter Larsen, Sergio Messina, Bob Ostertag, Robin Rimbaud aka SCANNER, Jon Rose,
Andrea Sodomka, Wolfgang Mitterer, Tom Cora, Werner Puntigam, Christian Fennesz, Tetsuo Furudate, Granular Synthesis ( modell 5 / 1994) , Ong Ken Seng, Benoit Lachambre, Uchihahsi Kazuhisa, Keiko Higuchi, Tanja Tomic,
Noid, Rechenzentrum, Zbigniew Karkowski, Metalyce etc…. www.akemitakeya.com
|
| 512 |
投稿者:
tan juichen <tanjc@t...>
Date:
2010年3月20日(土)
午前4時07分
タイトル: 陳維錚:軟体都市@神戸ファッション美術館
|
| |
このメールは日頃お世話になっている方や名刺交換された方にBcc送信しています。
今後このような案内が不要な方はご連絡いただければ幸いです。
----------------------------------------------------
陳維錚(タン・ズイチン)です。今日から3日間、神戸アートコレクションの一環で新作映像パフォーマンス「軟体都市」を発表します。日常で目にする建築(ハードウェア)をよりソフトで有機的なものとして捉えなおすコンセプトで、巨大建造物を手に取るように触れたりする体験ができる参加型イベントです。
今回は、前衛的な視覚体験を提供しつづけるメディアアート集団「新視角」メンバーとの共作で、最新鋭映像プロジェクションを提供するモノリス社の技術協力を得て実現しました。かなりおもしろいです!
(新視角メンバー:陳維錚+呉鴻+林ケイタ+谷口正博)
――― 神戸アートコレクション2010 ―――
http://kobeartcollection.com/info.html
触覚で建築をみる「軟体都市」
日程:2009.3.20, 21, 22
時間:17:00 - 20:00
会場:神戸ファッション美術館前
(JR「住吉駅」・阪神「魚崎駅」のりかえ六甲ライナー「アイランドセンター駅」下車南東すぐ)
――――――――――――――――――
陳 維錚
tan juichen
tanjc@t... http://tanjc.net
606-8217 京都市左京区田中西浦町6-44
mobile:090-8504-5471 (tanjc@i...)
|
| 513 |
投稿者:
tan juichen <tanjc@t...>
Date:
2010年3月20日(土)
午前4時07分
タイトル: 陳維錚:軟体都市@神戸ファッション美術館
|
| |
このメールは日頃お世話になっている方や名刺交換された方にBcc送信しています。
今後このような案内が不要な方はご連絡いただければ幸いです。
----------------------------------------------------
陳維錚(タン・ズイチン)です。今日から3日間、神戸アートコレクションの一環で新作映像パフォーマンス「軟体都市」を発表します。日常で目にする建築(ハードウェア)をよりソフトで有機的なものとして捉えなおすコンセプトで、巨大建造物を手に取るように触れたりする体験ができる参加型イベントです。
今回は、前衛的な視覚体験を提供しつづけるメディアアート集団「新視角」メンバーとの共作で、最新鋭映像プロジェクションを提供するモノリス社の技術協力を得て実現しました。かなりおもしろいです!
(新視角メンバー:陳維錚+呉鴻+林ケイタ+谷口正博)
――― 神戸アートコレクション2010 ―――
http://kobeartcollection.com/info.html
触覚で建築をみる「軟体都市」
日程:2009.3.20, 21, 22
時間:17:00 - 20:00
会場:神戸ファッション美術館前
(JR「住吉駅」・阪神「魚崎駅」のりかえ六甲ライナー「アイランドセンター駅」下車南東すぐ)
――――――――――――――――――
陳 維錚
tan juichen
tanjc@t... http://tanjc.net
606-8217 京都市左京区田中西浦町6-44
mobile:090-8504-5471 (tanjc@i...)
|
| 514 |
投稿者:
多田ひとみ <tadahi5@g...>
Date:
2010年3月24日(水)
午前4時26分
タイトル: [告知]おんたま vol.8
|
| |
approach_aのみなさま
多摩美修了生の多田ひと美です。
パフォーマンスイベントの告知をさせてください。
おんたまvol.8
2010.3.26(Fri) open:18:30 start:19:00
@gallery conceal Shibuya
1,000円 1ドリンク付き
音響たまーらんど(おんたま)は、多摩美術大学情報デザイン学科情報芸術コースの在学生及び卒業生を中心に行われている音響/ライブイベントです。 ラップトップミュージック、ノイズ、エレクトロニカ、ヴォイス、即興演奏、ライブコーディング、実験音楽、 映像表現、ライブペインティング、ベンディング、ヴィジュアルパフォーマンスなど多彩な表現を発射しています。
おんたま紹介記事
http://www.cbc-net.com/topics/2010/03/ontama8.php
おんたまwebsite
http://info.ontama.org/?p=94
出演者:
姚仲涵[Chung-Han YAO]
http://www.yaolouk.com/
田所淳[Atsushi Tadokoro]
http://yoppa.org/
小柳淳嗣[KOYANAGI Junji]
http://www.geocities.jp/koyanagi_junji
比嘉了[Satoru Higa]
http://www.lalalila.org/
石黒ユウ子[Uuuco.i]
http://www.uuucococo.com/
谷口暁彦[Akihiko Taniguchi]
http://okikata.org/
DJ kexxx
http://www.myspace.com/djkexxx
-----------------------
多田ひと美
090-4979-2076
tadahi5@g...
http://tadahi.com
-----------------------
|
| 515 |
投稿者:
多田ひとみ <tadahi5@g...>
Date:
2010年3月24日(水)
午後2時16分
タイトル: 展覧会『 Plug & Plays』開催のお知らせ
|
| |
approach_aのみなさま
多摩美修了生の多田ひと美です。
若手作家6名による展覧会『Plug & Plays』開催のお知
らせです。
3月30日より長野県にございます辰野美術館にて若手作家6名
の展覧会を開催いたします。お時間、ご都合宜しければ是非お
越し下さい。
======================
■展覧会名
パプニング-Plug &Plays-
http://www.papuning.com/plugandplays/
■会期
2010年3月30日-5月5日 9時-17時
(入館受付は16時30分まで)
■休館日
月曜日・4月30日
■入場料
大人300円・小中学生100円
■会場
辰野美術館
長野県 上伊那郡 辰野町樋口 荒神山公園内
TEL:0266-43-0753
FAX:0266-41-4572
http://www.town.tatsuno.nagano.jp/sc/artm/
■出展作家
莇 貴彦
http://homepage.mac.com/t_azami/
飯沢未央
http://i-mi.org
米みつみき
http://www.komemitsu.com
多田 ひと美
http://tadahi.com/
森 浩一郎
http://moxuse.org
松村 志野
http://www.shinoweb.com/
■概要
本展は、様々なフィールドで 活躍する作家による
「Plug and Plays」をテーマにした展覧会です。
「Plug and Plays」には、「つなぐ (Plug) ことで何かが
実行 (Play) される」という意味が込められています。出展
される作品は、作家たちの「考え」と「鑑賞者」をつなぎ、
作品と対話する場を創り出すことでしょう。ここでは、予測外
の表現に出会えるかもしれません。どんな作品が待ち受けてい
るのか。作品と戯れるように楽しんでいただける展覧会となれ
ば幸いです。会期中には、ワークショップの成果も兼ねたライ
ヴイベントも企画しています。是非ご参加下さい。
■ワークショップ
会期中には「光と音のワークショップ」を行う予定です。
最新情報はWebサイトよりご確認ください。
■ライヴイベント
松村志野(本展出展者)と齊藤邦彦がワークショップの成果発
表と共に音楽と光のライブを行います。
・日時 2010年5月3日
・会場 辰野美術館2階ロビー
・17時30分会場 / 18時開演
■お問い合わせ
papuning@g...
http://www.papuning.com/plugandplays/
|
| 516 |
投稿者:
yukiko shikata <stoicomedia@g...>
Date:
2010年3月25日(木)
午前4時10分
タイトル: Restarting after ICC from April..!
|
| |
*sorry for "bcc"ing..!
dear friends,
i restart my activities by leaving NTT InterCommunication
Center[ICC] at the end of march where i worked as senior curator for
fine and a half year.
ICC has been suffering from the serious budget, and structural
problem.. i had been dealing with them but it looks difficult for me
to continue.
from now on, i focus on more free-based various activities, as "an agent for
changes" and "curating the future" by utilizing my energy, knowledge,
experience and networks, by connecting different cultures and
countries.
i strongly feel that the info-geography is in rapid changes, and
generating new way of communication never happened before (like
twitter..), and i would like to get involved in it with flexible
stance.
*i continue university-activities (specially-assigned professor of
Tokyo Zokei Univ., guest prof. of Tama Art Univ., lecturer at IAMAS,
etc.)
[my address]
Yukiko Shikata
1-31-15-201 Ookayama
Meguro-ku, Tokyo, 152-0033
mob: +81-80-3545-6455
e-mail: stoicomedia@g...
in tokyo, cherry blossoms are starting to bloom..
keep in touch and hope to see you again...!
greetings, yukiko shikata
--
yukiko shikata
stoicomedia@g...
twitter: shikatouch
ART iT official blog:http://www.art-it.asia/u/ab_shikatay/
|
| 517 |
投稿者:
miki fukuda <miki@m...>
Date:
2010年3月28日(日)
午前4時11分
タイトル: Ust live event: 口ロロ02 演奏撮影会
|
| |
(English below)
福田です。
4/1に渋谷 CLUB QUATTROで行われる口ロロのライブは、
観客がUstでライブ中継してよいという企画です。
事前にUstのURLを登録することになっていて、少なくとも
50ぐらい集めたいらしいのですが、
ちょっとまだまだ届いてないらしいです。
謎の暗躍集団ボストークがからんでいるので、当然何か仕掛けがあるみ
たいです。
別にお手伝いしているわけではないのですが、行こうかどうしようか
迷っている人、ぜひご参加を!
私も行ってUstします。
個人的にはUstとtwitterとskypeを組み合わせると
まだまだかなり面白いことできるぞと思っています。
特にライブでUst使うのは。当日、何が起きるのか興味津々です。
■LIVE
口ロロ 02 演奏撮影会
2010年4月1日(木)渋谷 CLUB QUATTRO
開場 / 開演:18:30 / 19:30
チケット:前売 3,500(tax in / D別 / all standing)
※3歳以上有料 / 来場者全員特典あり
チケット発売中
プレイガイド:チケットぴあ / LWNSON TICKET / CNプレイガイド
お問合 せ:HOT STUFF 03-5720-9999 http://
www.red-hot.ne.jp/
撮影会の詳細:
http://www.10do.jp/kuchiroro_new/news/wfb/index.php?entry-
id=4ba9dfca87bc2&user-id=001&view_c=Blog::Entry.html
--------
This is an announcement to call the participants who can do on
Ustream at Kuchiroro live (a Japanese hiphop unit) which will be held
on April 1st in Shibuya, Tokyo.
The concert encourages to use Ustream for the audiences. It seems
that they have a tricky plan in the show and online.
info (in Japanese only):
http://www.10do.jp/kuchiroro_new/news/wfb/index.php?entry-
id=4ba9dfca87bc2&user-id=001&view_c=Blog::Entry.html
---
福田幹
miki fukuda
|
| 518 |
投稿者:
miki fukuda <miki@m...>
Date:
2010年4月16日(金)
午後5時11分
タイトル: papers, works, ws: 2010 ISMAR
|
| |
Call for Participation
The 2010 ISMAR Arts, Media and Humanities chairs invite artists,
scholars, media practitioners, who can shed new light on emerging new
relations within the future of Mixed and Augmented Reality. We would
welcome musings, probings, discourses, insights, and imaginations to
be presented in Seoul Korea October 13-16, 2010 in the form of long
and short papers, art installations, panels, workshops or tutorials.
This theme of this year's ISMAR conference is "Borderless" sparked by
the convergence of Mixed and Augmented Reality, ubiquitous technology
and global connectivity. In the rapidly emerging application of Mixed
and Augmented Reality, how do we make sense of time and space now?
With no clear-cut boundary between what is natural and artificial, we
are faced with ambiguity, transience, and contingency. How will
melting the boundaries between real, virtual and imaginary realities
transform our world?
Topics and Themes
The scope of the conference includes, but is not limited to, the
following major topics:
Case studies, deployment and evaluation of AR in the context of art
installations, performance, cultural heritage or multimedia literacy,
Explorations of interaction and interactivity for AR/MR installation
performance or humanities,
The applications of performance studies perspectives to AR and MR
technologies and applications, including such themes as liveness,
performativity, ritual, mediation, and presence.
Discussion of interdisciplinary, trans-disciplinary collaboration for
AR/MR experience design,
Studies of the creation, design and production of AR/MR applications
for storytelling and dramatization in museums and other historic sites.
Augmented Reality/Mixed Reality Tools, Librairies, Framework
developed by artists for artists or by humanists for humanists,
The application of media studies and media theory to the technology
and practice of AR/MR,
AR mobile artistic and media practice,
Social media, tactical media and AR/MR,
Transhumanism, post-humanism, and AR/MR,
Ecological interventions,
Critical design and new approaches to future products and services
using/based on AR/MR,
AR/MR in game, toys, advertising and marketing,
Web based AR/MR applications
Submission Categories
The program proposes the following submission categories:
Long papers and posters,
Art Installations and Showcases,
Panels,
Tutorials and Workshops.
For each discipline, the program will address different goals.
The Art program is looking for notable artists that have stretched
the boundaries of expression with the use of Mixed and Augmented
Reality. The creative interaction between real, virtual and the
imaginary realities to create provoking experiences are highly
encouraged. Written papers and posters are to include position
statement with notes and images on approach, implementation and the
technology used. showcases and art installations will be mounted to
support physical entries.
The Media program will be accepting submissions from media
practitioners who have stretched the boundaries of the creative
impact of Mixed and Augmented Reality. This venue seeks innovative
uses of creative techniques for communication and entertainment to
enhance the experience of MR/AR through novel applications of head-
mounted, embedded projection, or mobile displays. Submissions may
include new tools, conventions or taxonomies for developing these new
media.
The Humanities program will be accepting academic submissions that
relate to Mixed and Augmented Reality content that allows for
innovative analytical, critical or speculative approaches to reflect
the study of the human condition and digital media.
---------------
forwarded by miki fukuda
|
| 519 |
投稿者:
miki fukuda <miki@m...>
Date:
2010年4月16日(金)
午後5時09分
タイトル: works: Festival HAIP10
|
| |
//HAIP10: NEW NATURE//
23.-26. November 2010
4th International Multimedia Festival HAIP10 is coming this fall -
multimedia centre "Cyberpipe/Kiberpipa" from Ljubljana is announcing
call for applications. This year's festival theme is "New Nature".
Application deadline is 30th April 2010.
Information about applications, festival and theme is available below
and on HAIP website http://www.haip.cc/ (where you can download
application forms).
The festival
The idea for the HAIP festival arose within the Cyberpipe Multimedia
Centre team which operates within Zavod K6/4 in Ljubljana. HAIP is a
biannual festival that emerged in 2004. The festival is conceived to
be socially active and through it we attempt to reach the very core
of the issues and themes in the field of intermedia art and
contemporary scientific communication technologies. On the
international level the HAIP festival presents the works of young
perspective as well as already established artists, theoreticians,
creative engineers and groups that are oriented into top artistic
practices that are supported by open standards (regardless whether
this is from practical or ideological reasons). Thus the festival
will present individuals and groups who creatively and critically
deal with social development and progress that includes us all due to
the bloom of the variety of possibilities and choice. With this focus
the HAIP festival supports the research and creation of those
contemporary artistic and scientific practices that surpass the
borders of specific forms and contents. This is also shown by the
name of the festival, i.e. >>HAIP<< - which is an acronym for >>Hack-
Act-Interact-Progress<<.
/ The festival encompasses: /
- lectures
- workshops
- exhibition of artworks/ spatial interventions
- performances
- club event
_____________________________________________________________________
/On the festival theme/
New nature
Data processing through the synthesis, manipulation and
characterization of matter on the atomic and molecular level (which
enables the creation of so-called nanostructure materials) opens a
line of thought as regards the new levels of autonomy and life of a
certain matter. In the attempt to understand the use of matter that
is in the process of being modified on its atomic level (as a
multidirectional medium) the focus turns towards the specifics and
(non)materiality of the intermediate spaces - towards contents,
quantumly transformed through these spaces. This means that the
artistic medium is established on an entirely new - atomic and
subatomic level.
In the poetic and performative sense we encounter the idea that we
can (trans)form reality through the manipulation of matter on the
atomic level. However, the motif for our research of this scientific
field is not based on the fascination we show for the fairytale
qualities of the 'fantastic' images that can be achieved with such
processes. It is also not based on the monotonous connection between
science and art, in which art is often used merely to illustrate
science, while both fields fail to establish a dialogue as regards
their reciprocal potentials. Our motif emerges from the intention to
establish an analytical discourse on the basis of the paradigm that
it is possible to link the artistic concept, creative programming,
DIY electronic systems and (inanimate) nature into a new expressive
content.
Nanocrystals can be understood as ready-mades that are not manifested
in the form of uniquely selected static objects, but are constantly
changing manipulative situations/information/samples. Such feasible
unpredictable dynamics and hybrid crossbreeding of various (un)
organic matter with various other - mechanical and software - media
activates the consciousness on nano-cybernetic reality. Through this
we witness the establishment of a new domain within which the
Cartesian perception of the world has ceased to exist, for the
knowledge of the world has become an oscillating variable between the
known (visible) and the unknown (invisible).
These phenomenological processes have transformed the relations in
contemporary life and do not present a type of nature and culture in
themselves. In order for art to function subversively in relation to
the (monitoring) mechanisms (as enabled by informational
technologies), it has to be experienced as a constant anti-culture
that is available to all. This is why we attempt to democratise art
in relation to nano technology and science, for here it is possible
to transform matter in real time (on the level of their atomic
operation). On a certain level these actions are therefore linked to
political actions or with the affirmative and utopic gesture that
breaks away from the established aesthetic taste and opens the field
of the unknown, still unarticulated and unreflected, where we
confront the need to reorganise our perception and consequentially
operation.
Such processes represent medium personification which is established
in the relation between the abstract space of the data and the real
space of the matter. The chemical equation (as a scientific model) no
longer functions as a hermetic scientific medium, instead it becomes
an auto-poetic feedback system and a virtual space for open/
multidirectional communication, which is (trans)formed, (re)
programmed, synthesised and freshly characterized by the user/artist.
With the absence of the tactile the interactivity is manifested in
the transcendence of the >>senses as monocular images in binocular
perception<< (Maurice Merleau-Ponty). Such a perceptive frame opens a
multidimensional reality, in which reality (as an actual organic and
inorganic presence) reveals the new characteristics of spatial
dimensions that can transform and redefine the understanding of our
existence.
Through the development of the new nature - which also represents the
potential starting point for the development of a new artistic
expression - we are (on the theoretical and empirical level)
interested in the multimedia quantum/chemically generated nanosystem
- (in)organic kinetic nano-cybernetic sculpture, which has
performative characteristics in itself. The directness of this
experience through the broadening of the perception within the merger
of scientific discoveries and the visual communication of multimedia
art expression and patents/equations/systems/data from these
researches should be offered for the potential (co)development and
(co)use of intermedia art by similarly thinking authors, for this
represents the main condition for the establishment of a qualitative
artistic production, which would aid the development, pluralisation
and expansion of intermedia cultural and art fields.
_____________________________________________________________________
APPLICATION:
The application has to include the following:
- Filled in application form
- Photo documentation of the project (max 10 jpgs, min 180 dpi)
- Video documentation (DVD, CD, USB flash drive or internet
connection - in avi, mov or ogg format)
- Technical plan of the project
Candidates may also attach additional documentation (catalogues,
texts and similar).
Original works, incomplete and late applications will not be
considered in the selection process. The attached documentation will
not be returned, but will remain in the Cyberpipe Multimedia Centre/
HAIP10 Festival archive.
Application deadline: 30th April 2010
Invitation and application can be downloaded in .odt, .pdf in .doc
format on HAIP website: http://www.haip.cc
The application form should be sent to the following address:
Contact person: Maja Smrekar
- By mail:
Zavod K6/4, Kiberpipa
Kersnikova 6
1000 Ljubljana
Slovenija
With the text: "Application for HAIP10 festival"
- By e-mail: haip@k...
The selection of the projects that will be realised and presented at
the HAIP10 festival will be concluded in May 2010. Only successful
candidates will be notified.
Information about application and festival also available on:
http://www.haip.cc
Thank you for spreading the word about this call for participation!
---------------
forwarded by miki fukuda
|
| 520 |
投稿者:
miki fukuda <miki@m...>
Date:
2010年4月16日(金)
午後5時17分
タイトル: projects: Cellsbutton#04 Invisible Cells
|
| |
福田です。
Cellsbuttonは、Venzha Christというメディアアーティスト
/パフォーマーが中心となって活動しているアー
ティスト・イニシアティブThe House Of Natural Fiberの自
主企画運営によるフェスティバルです。
------------------------------------------------------------------------
--
OPEN CALL CELLSBUTTON#04: INVISIBLE CELLS
YOGYAKARTA INTERNATIONAL MEDIA ART FESTIVAL
27 JULY - 7 AUGUST 2010.
“That the modernist tradition of progress and ceaseless extension of
the frontiers of innovation are now dead. Originality is dead. The
avant-garde artistic tradition is dead. All religions and utopian
visions are dead and resistance to the status quo is impossible
because revolution too is now dead. Like it or not, we humans are
stuck in a permanent crisis of meaning, a dark room from which we can
never escape. Humans will not be visible, humans will be invisible.
(Inspired by Kalle Lasn's Contemporary Society) - Irene Agrivina,
2010”
The House Of Natural Fiber (HONF) are proudly to present
Cellsbutton#04: Invisible Cells - Yogyakarta International Media Art
Festival. Cellsbutton#04 will take the theme of “Invisible” as
part of Education Focus Program curriculum in 2010. Cellsbutton#04
will consist 12 days duration of the festival, focussing on educative
artistic activities engaging local and global development and
application in art, science and technology. As an annual
international community-base festival, Cellsbutton#04 will be a cross-
collaborative starting platform for international artists,
communities, scientists, researchers, lecturers, inventors,
theorists, activists practitioners, to exchange knowledge that
beneficial for the society.
Cellsbutton is an annual community-base organized international media
art festival in Yogyakarta, Indonesia initiated by HONF. Since it was
started in August 2007, Cellsbutton became the first international
media art festival in Indonesia that focus on education. Cellsbutton
act as a platform that connect international artist with
interdisciplinary people in Indonesia to expand limitless creations
and innovations through media art. As part of HONF Education Focus
Program [EFP], Cellsbutton is set to became HONF primary instrument
to provide the proper dissemination of knowledge, information and
networking in media art for the general public in Indonesia
especially Yogyakarta; a special province that contain great deal
potential of intellectuality from various disciplinal backgrounds and
famous as a center for Indonesian higher education. The organizing of
the festival was done through the collaboration with the support from
local creative communities in
Yogyakarta.
The House Of Natural Fiber
The House Of Natural Fiber (HONF) is a media art laboratory run by a
community in Yogyakarta. They implemented a methodology called Open -
Community which is mostly concerned to the needs of cross-
collaborative actions responding to technology development and
practical use in daily life. In the beginning, they started as a
young community with various backgrounds and ideals. They want to do
whatever they wish, but with a natural inclination to create by the
spirit of togetherness. There is no ambition to work simply for
personal profit. They create for themselves, their family, and their
environment. This is the basis for the first actions and commitment
between them. Since 1999, they concentrate on the principles of
critique and innovation. Thinking forward, positive and creative is
becoming a vision for HONF. In the implementation of this vision, in
every program, they work towards the development of art with
technology. This desire to contemplate the
future of technology and art is an important endeavor for the
technology itself.
Education Focus Program (EFP)
EFP is a curriculum that act as a guideline for every HONF activities
that is innovated responding the global situations and conditions in
Indonesia. EFP concentrate on interdisciplinary knowledge exchanges
and collaborations in critical analysis towards local and global
issues and creating innovative ideas to seek solutions toward it. EFP
main objective is to build a modern mind and mentality of society by
bridging art, science and technology that is useful in processing
local potentials into beneficial outputs for the society based on
human uses and urgent needs. In the implementation of EFP programs,
HONF use Open-Community form, a methodology that invites local
communities in Yogyakarta to take various roles accordingly to their
ability and competency, which allows them to be involved in the
activities with HONF acted as navigator. This method is chosen, as
community is a primary working method that is used by the society in
Indonesia at the present
time. It is also enabling EFP to be a generic infrastructure that
enhance and amplify the dissemination of knowledge to involving
communities and wide range society. EFP programs are presented in
informal educative platforms that are accessible by the society to
overcome the current Infrastructures and curriculum of overall
education system in Indonesia that is far from efficient.
Invisible
Invisible seeks sustainable actions that were created to
systematically expand or convert accessible technology and generic
infrastructure to be used as multifunctional and cross-functional
tools. Invisible will try to reveal innovation and creation that is
developed in response to local and global situations and conditions.
Invisible then will challenge the application and how art could
function between artists and society in responding how it reaction
could be achieve from suitable and crucial action rather than
emphasizing the existence of the actor.
How to Apply
Please send an email to cellsbutton@g... before 25 May 2010 an
A4 size pdf format files containing information of:
1. Applicant’s Name
2. Applicant’s Short Biography (100 words max)
3. Project Title to be presented in Cellsbutton
4. Project Description
5. Brief Explanation on how the project would be beneficial to
local communities
Term and Condition
HONF will provide place to stay, 1 meal per day and local
transportation for Cellsbutton#04 schedule of activities. For
international transportation HONF could only provides a letter of
invitation to support and letter of recommendation for the
participants to get funding. As the Official Office and meeting point
during the festival, HONF lab will be open for every participant as
the gathering place, studio and meeting point.
Activities
1. openCELLS : opening act of Cellsbutton
2. cellSONIC : special audiovisual performance act of
Cellsbutton
3. cellsDISCO : club party, VJ gathering/VJ School
4. cellsOUTING : meet the fibers!
5. cellsKIT : DIY workshops, researches and
presentations
6. cellsPICNIC : “even God take a day off...”
7. Indonesia Bricolabs : international global network focussing on
local and global development generic infrastructure incrementally
develop by communities
8. cellsKID : children workshop. Simple art - simple
technology - fun learning and nourishing activity
9. breakcore_LABS : open platform for experimental music and
audiovisual performance
10. The fibers : platform for collaboration and
researches between media labs and creative communities
11. EA Channel Meeting : exchanging informations on global and
local networking
12. cellsLIVING : pre-Cells and post-Cells residency
program. Collaborating with local creative communities
13. cellsRADIO : sharing information & knowledges through
radio frequency
14. offBUTTON : off - file not found (closing party)
Now and then...
“We’re looking for the invisible! And with togetherness we’ll
overcome the invisible and become one! With this start, we see
Cellsbutton#04 Invisible Cells as our destination in presenting
beneficial outputs in both directions to outer our communities and
inside. Learning and progressing as our curriculum of Education Focus
Program (EFP) have helped us in evolving and adjusting our role to
accommodate the local communities for the last 10 years. We have
reached a milestone more than we have expected, but thousands waits
in our path. We realized that we are small, but from those small
things we have evolved. For a new step and beginning of The House of
Natural Fiber in Yogyakarta, Indonesia, we devoted ourselves think
the unthinkable, to touch the untouchable and to see the invisible.
One minor step we take in 2010 for our remaining long and distant
path.” (/microCELLS - A Prelude To Cellsbutton#04: Invisible Cells -
Yogyakarta International
Media Arl Festival 2010)
Welcome to the invisible cells!!!
venzha
the house of natural fiber
yogyakarta new media art laboratory (HONF)
Jl.wora wari A80/6
Baciro - Yogyakarta
Indonesia
T : +62 (0) 817468621
F : +62 (0) 274 564276
E : venzha@y...
venzha@n...
URL : http://www.natural-fiber.com
http://www.myspace.com/electrocore_indonesia
---------------
forwarded by miki fukuda
|
| 521 |
投稿者:
miki fukuda <miki@m...>
Date:
2010年4月17日(土)
午前4時15分
タイトル: works: Make: Tokyo Meeting 05
|
| |
(English below)
福田幹です。
Make: Tokyo Meeting05の出展申込締め切りまで、あと一週間をきりま
した。
そういえば、こちらのMLで告知情報送ってなかったことに気づ
き、慌ててお送りいたします。
もう既に申し込みを済ませていらっしゃる方も多々いらっしゃいますが、
どうしよっかな、とお考え中の方、Make: って何?って方も、ご
検討いただき、
ぜひご参加いただければと思います。出展の種類は展示、プレゼンテー
ション、ワークショップ、
ライブパフォーマンス、ワークショップなどで、ちょっと変わったアイ
デアでもご相談いただければ。
前回は約150の出展者数、2日間で4000人の入場者数でし
たが、今回はさらに上回りそう。
また、前々回に出演いただいたMarco Tempestが新しいAR
Magicをお披露目してくださる
ことに(予定)。テクニカルな部分はメディアアーティストのZachary
Liebermannが
openFrameworksを駆使してサポートしています。
出展申し込み、お待ちしております!
でなければ、ぜひ遊びに来てください!
------------------------------------------------------------
Make: Tokyo Meeting 05
「Make」の世界を実際に体験できる!
みんなが作ったすごいモノ・新しいモノを見て・さわって作った人と話
ができる!
ジャンルを超えたMakerが一同に集まって交流できる!
企画趣旨
2006年8月から刊行を開始している「Make: Technology on Your
Time」日本語版(Make日本語版)は、DIY、電子工作、サ
イエンス、アートをまったく新しい切り口で紹介する雑誌として、先進
的な読者の 支持を集めています。その世界観を背景に異なる
ジャンルの「Maker」の発表の場、Maker同士が交流できる
場として企画されたのがMake: Tokyo Meetingです。
2008年4月からこれまでに4度、開催されており、回を重ね
るごと多くの参加者を集めるなど、大きな成功を収めています。また本
イベントは当日の展示のみにとどまらず、異なる技術を持った参加者同
士が知り合うことによって、その後のコラボレーションにつなげるな
ど、これまでにない新しい形のモノ作りを触 発していきます。
開催概要
日時: 2010年5月22日(土)、23日(日)
会場: 東 京工業大学 大岡山キャンパス(東京都目黒区
大岡山2-12-1)
東急大井町線、目黒線「大岡山駅」徒歩1分
参加費: 無料
主催: 株式会社オライリー・ジャパン
共催: 東京工業大学、多摩美術大学 情報デザイン学科
出展申し込み締切:2010年4月23日(金)15時
詳細:http://www.oreilly.co.jp/mtm/05/
出展申し込み要項:http://jp.makezine.com/blog/2010/03/
mtm05_entry.html
------------------------------------------------------------
私は今回も運営面でお手伝いしています。アルバイト、ボランティアも
募集すると思いますので、
追ってお知らせいたします。
どうぞよろしくお願いいたします。
福田幹
==================================
This is an announcement of Make: Tokyo Meeting 05 which organized the
magazine "Make:" by O'Reilly Japan.
The event consists of presentation, exhibition, workshop,
performance, etc of electric DIY likes physical computing, craft,
handmade electronic instrument, handmade robot etc.
I'm involved in management of this event. If you'd like to
participate, please don't hesitate to contact me. I'll tell you the
detail.
This time we have a special guest, a magician Marco Tempest from the
US is going to show his new AR Magic. Zachary Liebermann supports him
with openFrameworks.
Deadline of submission: 15:00 (JPN), April 23
Date: May 22 (Sat) and 23 (Sun)
Venue: Oooka Campus, The Institute of Technology (2-12-1 Oookayama,
Meguro-ku, Tokyo)
Admission: Free
detail: http://www.oreilly.co.jp/mtm/05/ (in Japanese only)
submission: http://jp.makezine.com/blog/2010/03/mtm05_entry.html (in
Japanese)
All the best.
miki
---
福田幹
miki fukuda
|
| 522 |
投稿者:
miki fukuda <miki@m...>
Date:
2010年5月8日(土)
午前1時39分
タイトル: transmediale Award 2011 and Vilm Flusser Theory Award 2011
|
| |
Dear all,
I'll forward the following announcement from transmediale in Berlin.
miki fukuda
------------------------
Call Now Open for transmediale Award 2011 and Vilm Flusser Theory
Award 2011! Deadline July 31, 20
Dear friends and colleagues,
we've just opened the Call for Entries for the 2011 edition of the
transmediale and Vilm Flusser Theory Awards!
The Award competitions seek outstanding entries that exemplify
visionary, adventurous and critical forms of digital expression,
interaction, and collaborative practice. Entries from countries and
regions in which digital art and culture are emergent are encouraged,
as are positions that enrich our understanding of, and relationship
to, technology and networked society.
It's a great pleasure and honour, along with the Calls to announce
and welcome the juries for the Awards:
transmediale Award 2011 Jury are:
Marisa Olson (New York), Matteo Pasquinelli (Amsterdam), Brandon
Labelle (Berlin), Thomas Macho (Berlin), Defne Ayas (Shanghai)
Vilm Flusser Theory Award 2011 Jury are:
Marcel Ren Marburger (Cologne), Nils Roeller (Zurich), Carolyn
Guertin (Austin), Alex Galloway (New York)
Applications may be submitted until the deadline July 31, 2010
For more info, registration and application:
http://www.transmediale.de/en/node/12965
---------------
forwarded by miki fukuda
|
| 523 |
投稿者:
miki fukuda <miki@m...>
Date:
2010年5月11日(火)
午後6時15分
タイトル: oF talk and magic night at 4nchor5 la6 in Tokyo on 17th
|
| |
みなさま
福田幹です。
来週の17日に東京白金の4nchor5 la6 (rhizomatiks)で開
催されるopenFrameworksの集いについてお知らせします。
oFの開発者の一人テオドア・ワトソンと、華麗なAR Magicで世界
中を魅了しているマルコ・テンペストのお二人を招いたトークとマジッ
クが、FLYING TOKYO #4として開催されることとなりました。
彼のAR MagicはもうひとりのoFの開発者であるザカリー・
リーバーマンのサポートでoFを活用して開発されています。
ご興味のある方、ぜひお越し下さい!
日時:5月17日(月)20:00開場 20:30開演
会場: 4nchor5 la6 (rhizomatiks)
東京都港区白金台3-18-1 八百吉ビル2F
http://www.rhizomatiks.com/event/flyingtokyo4/
入場無料(ドリンクを販売してます)
要予約、定員50名
Theodore Watson
http://www.theowatson.com/
openFrameworks
http://www.openframeworks.cc/
Marco Tempest
http://www.marcotempest.com/
ちなみにマルコ・テンペストは5/23(日)17:00からMake:
Tokyo Meeting 05でもマジックを披露してくれることになっています。
MTMに行かれる方で、17日見逃しちゃう人は、こちらのほうでぜ
ひどうぞ。
http://www.oreilly.co.jp/mtm/05/
*くどいようですが、MTMについてはまたあらためて告知します。
では、お目にかかれるのを楽しみにしています。
福田幹
Dear all,
I'm very pleased to announce that we will have an openFrameworks talk
and magic night at 4nchor5 la6 in Tokyo on 17th as FLYING TOKYO #4
organized by Rhizomatiks.
The openFrameworks is a library of C++ for creative coding. A lot of
new media artists use oF for their works.
http://www.openframeworks.cc/
One of the developers of oF, Theodore Watson - other developer is
Zachary Liebermann - and AR Magician Marco Tempest is coming to
Tokyo. I'm very happy to have this opportunity.
Date and time: 20: 30 - Mon, May 17th (open from 20:00)
Venue: 4nchor5 la6 (rhizomatiks)
Yaoyoshi Building 2F, 3-18-1 Shirogane, Minato-ku, Tokyo
http://www.rhizomatiks.com/event/flyingtokyo4/
Admission: Free (please pay for drink)
Registration required. 50 people limited.
As for Marco Tempest, He will show a new AR magic at Make: Tokyo
Meeting 05 as well.
17: 00 - May 23rd, at Tokyo Institute of Technology
http://www.oreilly.co.jp/mtm/05/
I'll be there as a staff.
If you go to MTM, please say hello to me.
Look forward to seeing you!
Best.
---
福田幹
miki fukuda
|
| 524 |
投稿者:
YOSUKE KAWAMURA <loziq00@i...>
Date:
2010年5月18日(火)
午前2時59分
タイトル: Re: 多摩美大学院情報デザイン & ベルリン芸大デジタルクラス有志合同展「 IDD meets Digitale Klasse」開催のお知らせ
|
| |
[approach_a]のみなさま
情報科学芸術大学院大学
産業文化研究センターの河村です。
この度、2009年度以降休止しておりましたIAMAS アー
ティスト・イン・レジデンス事業が本年度実施できる体制が整いま
したので、ご案内させていただきます。
注:海外メディアアーティスト向けの物なので、日本の方は応募で
きません。
-------------------
The Agency of Cultural Affairs’ 2010 Foreign Media Artist
Invitation Project
IAMAS Artist in Residence Program 2010 (IAMAS-AIR 2010)
We are currently looking for artists to participate in IAMAS-AIR 2010.
The artist-in-residence program at IAMAS was stopped in 2009, but is
being conducted again this year as a part of the Agency of Cultural
Affairs’ effort to invite foreign media art creators to Japan.
In order to get as many interested applicants as possible, we are
asking different organizations to spread the news.
1) IAMAS-AIR 2010
Until 2009, IAMAS had a continuing artist-in-residence program, where
every year we invited a few artists to the school for approximately
half a year. These artists actively worked together with faculty,
students and other artists, sharing ideas and knowledge, and creating
works for exhibitions.
In its history, the IAMAS-AIR program has invited 22 artists from 15
different countries, acquiring and expanding IAMAS’s
international connections and producing impressive results.
As a part of the Agency of Cultural Affairs campaign to invite foreign
media art specialists, we are currently recruiting artists to
participate in IAMAS-AIR 2010.
2) Program Outline
In the IAMAS-AIR program, we invite artists with outstanding track
records in the fields of media art, media design, and media product
creation, and promote their interaction with IAMAS’s student
body through workshops, media art creation, and research. Also, via
participation in exhibitions, artists in residence display
international artistic works to local creative minds and help foment
cultural activity.
3) Guidelines for applying to IAMAS-AIR 2010
We are accepting three overseas media artists (or groups), namely
those who create artistic devices or technical methods for products.
We are able to support residences for groups no larger than two people.
The period of residency will be 3 months, and must include the below
exhibition dates. We are also welcome requests for dates of residency
and additional need for manpower to aid in pre-exhibition creative
work and surveys, as well as post-exhibition research.
The selection of artists, along with issues relating to monetary
support and daily life support will be handled by the Center of
Research for Industrial Culture, an auxiliary research body of IAMAS,
in accordance with the IAMAS-AIR 2010 program.
Artists in residence will be required to participate in the exhibition
“Product as New Art-Fresh ideas borne from the past”,
September 22nd-26th, 2010.
4) Exhibiting at “Product as New Art-Fresh ideas borne from the
past”
This exhibition will run from September 22nd -26th, alongside the
Ogaki Bienalle, sponsored by IAMAS. The theme of this year’s
bienalle is “developing fresh ideas from the past” and
there will be many activities planned along this idea.
The exhibition is designed to use past industry and technology as
a base to promote proposals for new technology and ideas for new
expression.
Therefore, we will be prioritizing applicants who take an approach
that focuses on a novel expression of the concept “Product as
New Art”.
We will also prepare for the artist to give a presentation or
workshop to general attendees of the exhibition.
5) Application Information
Application Information are uploaded on this URL.
[Jp] http://www.iamas.ac.jp/J/AIR/about.html
[En] http://www.iamas.ac.jp/E/AIR/about.html
May 14, 2010
Institute of Advanced Media Arts and Sciences
International Academy of Media Arts and Sciences
IAMAS President, Atsuhito Sekiguchi
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「IAMAS―AIR2010」文化庁平成22年度海外メディア
芸術クリエイターの招へい事業
この度、IAMAS(情報科学芸術大学院大学)では、「IAMAS―
AIR2010」として海外メディアアーティストを募集いたします。
2009年度以降休止しておりました、本学のレジデンスプログラムを
文化庁平成22年度海外メディア芸術クリエイター招へい委託事業
により本年度実施いたします。
海外メディアアーティストからご応募をいただくにあたり、各機関
様からもご周知をいただけますよう宜しくお願い申し上げます。
1 IAMAS―AIR2010
IAMAS(情報科学芸術大学院大学、岐阜県立国際情報科学芸術アカデ
ミー)は、AIR(アーティスト・イン・レジデンス/Artist In
Residence、客員芸術家)の制度を継続して行なってきました。毎
年、数名程度のメディアアーティストを約半年間招へいし、学生や
教員、あるいは客員芸術家同士の人間的かつ知的な交流や展覧会へ
の出品などに積極的に関わってきました。
IAMAS-AIR制度では、これまで22名(15カ国)のメディ
アアーティストをレジデンスとして招き、IAMASが国際的なつ
ながりを獲得し、それを拡張するなど大きな成果をもたらしています。
本制度は2009年度は休止している状態でありましたが、こ
の度、文化庁平成22年度海外メディア芸術クリエイター招へい事
業の委託を受け、
「IAMAS―AIR2010」として海外メディアアーティスト
の募集を実施いたします。
2 企画概要
IAMAS-AIR制度では、海外でのメディアアート、メディアデザイン、
メディアプロダクトの分野で、優れた活動や実績を有するメディア
アーティストを招へいし、本学での研究、制作活動やワークショッ
プなどを通して、若い学生達との交流を図ります。また、展覧会に
おいては地域のクリエイターに向けて国際的な芸術活動の一端を示
し、文化活動の活性化を図ります。
3 IAMAS-AIR2010でのメディアアーティストの募集用件について
○プロダクトの技術的手法やアーティスティックなデバイスの作成
を行っている、メディアアーティストを中心として、海外のメディ
アアーティストを三名(組)程度募集します。グループ活動をして
いる場合には一組二名程度までの滞在をサポートします。
○滞在期間は展示日を含む期間三ヶ月程度とします。展示に向けた
滞在制作や調査、展示後の交流や研究などができるように、本人の
人的サポートや滞在期間についても希望を募ります。
○作家の選定プロセスや滞在時の渡航費、宿泊費、制作環境、支援
体制については、IAMAS-AIR制度に準拠し、本学附置機関の産
業文化研究センターがアーティストの活動支援を行います。
○「Product as New Art- 温故地新」展への展示参加を必ず
行なっていただきます。2020年9月22日から26日
4 「Product as New art-温故地新」展での展示
本展示は9月22日から26日まで開催される、本学主催の岐阜
おおがきビエンナーレにおいて、併設され企画運営されます。本ビ
エンナーレのテーマは「温故地新」として、様々な企画が併催されます。
展示においては過去の産業や技術をベースにして、新しい技術や
表現としての提案を推奨して、企画が立てられています。
よって、アーティストの選定においても、「Product as New
Art」のコンンセプトによる斬新な表現へのアプローチを優先します。
展示の際にはアーティストによる一般観客へのプレゼンテーショ
ンやワークショップなどを設けます。
5 応募要項
応募要項、各種応募用紙は以下サイトに掲載しております。
[日]http://www.iamas.ac.jp/J/AIR/about.html
[英]http://www.iamas.ac.jp/E/AIR/about.html
平成22年5月14日
情報科学芸術大学院大学メディア表現研究科
岐阜県立国際情報科学芸術アカデミー
IAMAS 学長 関口敦仁
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IAMAS/Institute of Advanced Media Arts and Sciences
Research Center for Industrial Culture [RCIC]
Yosuke KAWAMURA
loziq00@i...
+81 0584-75-6606
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